IN SPITE OF GREAT ADVANCES IN FORMAL METHOD IN SOCIAL SCIENCE, MUCH OF THE UNDERSTANDING OF PERSISTING AND GENERAL RELATIONSHIPS DEPENDS UPON A GRASP THAT IS TOTALLY INDEPENDENT OF SOME FORMAL METHOD. IN ADVANCING SOCIAL SCIENCE, WE INVENT AND PRACTICE TECHNIQUE AND CULTIVATE A HUMANISTIC ART. (Robert Redfield)

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ADIVASI (Tribes of India) Ethnographic Films by SATHYA MOHAN PV

Showing posts with label MK-Ultra. Show all posts
Showing posts with label MK-Ultra. Show all posts

Friday, June 17, 2016

How the CIA Secretly Funded Abstract Expressionism During the Cold War


Considering the possibility of a truly proletarian art, the great English literary criticWilliam Empson once wrote, “the reason an English audience can enjoy Russian propagandist films is that the propaganda is too remote to be annoying.” Perhaps this is why American artists and bohemians have so often taken to the political iconography of far-flung regimes, in ways both romantic and ironic. One nation’s tedious socialist realism is another’s radical exotica.

But do U.S. cultural exports have the same effect? One need only look at the success of our most banal branding overseas to answer in the affirmative. Yet no one would think to add Abstract Expressionist painting to a list that includes fast food and Walt Disney products. Nevertheless, the work of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning wound up as part of a secret CIA program during the height of the Cold War, aimed at promoting American ideals abroad.


The artists themselves were completely unaware that their work was being used as propaganda. On what agents called a “long leash,” they participated in several exhibitions secretly organized by the CIA, such as “The New American Painting” (see catalog cover at top), which visited major European cities in 1958-59 and included such modern primitive works as surrealist William Baziotes’ 1947 Dwarf (below) and 1951’s Tournament by Adolph Gottlieb above.


Of course what seems most bizarre about this turn of events is that avant-garde art in America has 
never been much appreciated by the average citizen, to put it mildly. American Main Streets harbor undercurrents of distrust or outright hatred for out-there, art-world experimentation, a trend that filters upward and periodically erupts in controversies over Congressional funding for the arts. A 1995 Independentarticle on the CIA’s role in promoting Abstract Expressionism describes these attitudes during the Cold War period:

In the 1950s and 1960s… the great majority of Americans disliked or even despised modern art—President Truman summed up the popular view when he said: “If that’s art, then I’m a Hottentot.” As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why, then, did they receive such backing? One short answer:

This philistinism, combined with Joseph McCarthy’s hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy.

The one-way relationship between modernist painters and the CIA—only recently confirmed by former case officer Donald Jameson—supposedly enabled the agency to make the work of Soviet Socialist Realists appear, in Jameson’s words, “even more stylized and more rigid and confined than it was.” (See Evdokiya Usikova’s 1959 Lenin with Villagers below, for example). For a longer explanation, read the full article at The Independent. It’s the kind of story Don DeLillo would cook up.


William Empson goes on to say that “a Tory audience subjected to Tory propaganda of the same intensity” as Russian imports, “would be extremely bored.” If he is correct, it’s likely that the average true believer socialist in Europe was already bored silly by Soviet-approved art. What surprises in these revelations is that the avant-garde works that so radically altered the American art world and enraged the average congressman and taxpayer were co-opted and collected by suave U.S. intelligence officers like so many Shepard Fairey posters.

via Kottke

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Josh Jones is a writer and musician based in Washington, DC. Follow him @jdmagness

Tuesday, October 6, 2015

Satanic Ritual Abuse

Special studio guest: Child protection campaigner of 22 years’ standing Wilfred Wong, originally trained as a barrister and with expertise in Satanic ritual abuse.

Wednesday, January 13, 2010

Orwell Rolls In His Grave


"Could a media system, controlled by a few global corporations with the ability to overwhelm all competing voices, be able to turn lies into truth?..." This chilling documentary film examines the relationship between the media, corporate America, and government. In a country where the "top 1% control 90% of the wealth", the film argues that the media system is nothing but a "subsidiary of corporate America."
Director: Robert Kane Pappas - Run Time 1 Hour 46 Minutes.

The Century Of The Self



Adam Curtis' acclaimed series examines the rise of the all-consuming self against the backdrop of the Freud dynasty.

To many in both politics and business, the triumph of the self is the ultimate expression of democracy, where power has finally moved to the people. Certainly the people may feel they are in charge, but are they really? "Century of the Self" tells the untold and sometimes controversial story of the growth of the mass-consumer society in Britain and the United States. How was the all-consuming self created, by whom, and in whose interests?

The Freud dynasty is at the heart of this compelling social history. Sigmund Freud, founder of psychoanalysis; Edward Bernays, who invented public relations; Anna Freud, Sigmund's devoted daughter; and present-day PR guru and Sigmund's great grandson, Matthew Freud.

Sigmund Freud's work into the bubbling and murky world of the subconscious changed the world. By introducing a technique to probe the unconscious mind, Freud provided useful tools for understanding the secret desires of the masses. Unwittingly, his work served as the precursor to a world full of political spin doctors, marketing moguls, and society's belief that the pursuit of satisfaction and happiness is man's ultimate goal.


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Sunday, January 3, 2010

Sherlock Holmes: The Movie and Our Illuminati 'New Age Religion'


'I went and saw "Sherlock Holmes", Hollywood's latest New Age Propaganda. I have been a fan of Sir Arthur Conan Doyle since childhood (the author of the original series), and I doubt he would even recognize the movie or its hero. Yes, I will admit I enjoyed the movie. It was full of twists and blind alleys. The ending was also unpredictable for most. Yet, as usual, Hollywood is not interested in just entertaining. They want to Propagandize us into accepting the values and philosophy of their coming "New-Age Religion".'

Read more...

Tuesday, November 17, 2009

Lady Gaga’s Bad Romance – The Occult Meaning


'Lady Gaga’s videos and performance are extremely symbolic and filled with hidden messages. Her latest video, named “Bad Romance”, describes the dark and ritualistic inner-workings of the entertainment industry, by symbolically depicting Gaga as a sex slave. This article examines the occult symbols present in the video and its hidden meaning.'

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Sunday, November 1, 2009

Mass Mind Control


by Alex Ansary
December 29, 2005

from OutsideTheBox Website

  • Why do countless American people go along with the War on Iraq?

  • Why do so many people call for a police state control grid?

A major component to a full understanding of why this kind of governmental and corporate corruption is to discover the modern science of mind control and social engineering. It's baffling to merely glance at the stacks of documentation that this world government isn't being constructed for the greater good of humanity.

Although there are a growing number of people waking up the reality of our growing transparent soft cage, there seems to be just enough citizens who are choosing to remain asleep. Worse yet, there are even those who were at least partially awake at one time but found it necessary to return to the slumber of dreamland.

This is no accident; this is a carefully crafted design. The drive to dumb down the populations of planet earth is a classic art that existed before the United States did. One component to understanding and deciphering the systems of control is to become a student of the magicians of influence and propaganda. In order to defeat our enemies (or dictators), its imperative that we understand how they think and what they believe in.

When people think about mind control, they usually think in terms of the classic "conspiracy theory" that refers to Project MkUltra. This program is a proven example of 'overt mind control.'

The project had grown out of an earlier secret program, known as Bluebird that was officially formed to counter Soviet advances in brainwashing. In reality the CIA had other objectives. An earlier aim was to study methods 'through which control of an individual may be attained'. The emphasis of experimentation was 'narco-hypnosis', the blending of mind altering drugs with carefully hypnotic programming.

A crack CIA team was formed that could travel, at a moments notice, to anywhere in the world. Their task was to test the new interrogation techniques, and ensure that victims would not remember being interrogated and programmed. All manner of narcotics, from marijuana to LSD, heroin and sodium pentathol (the so called 'truth drug') were regularly used.

Despite poor initial results, CIA-sponsored mind control program flourished. On 13 April 1953, the super-secret Project MK-ULTRA was born. Its scope was broader than ever before, and only those in the top echelon of the CIA were privy to it.

Official CIA documents describe MK-ULTRA as an 'umbrella project' with 149 'sub-projects'. Many of these sub-projects dealt with testing illegal drugs for potential field use. Others dealt with electronics. One explored the possibility of activating 'the human organism by remote control'. Throughout, it remained a major goal to brainwash individuals to become couriers and spies without their knowledge.

When it was formed in 1947, the CIA was forbidden to have any domestic police or internal security powers. In short, it was authorized only to operate 'overseas'. From the very start MK-ULTRA staff broke this Congressional stipulation and began testing on unwitting American citizens.

Precisely how extensive illegal testing became will never be known.


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