IN SPITE OF GREAT ADVANCES IN FORMAL METHOD IN SOCIAL SCIENCE, MUCH OF THE UNDERSTANDING OF PERSISTING AND GENERAL RELATIONSHIPS DEPENDS UPON A GRASP THAT IS TOTALLY INDEPENDENT OF SOME FORMAL METHOD. IN ADVANCING SOCIAL SCIENCE, WE INVENT AND PRACTICE TECHNIQUE AND CULTIVATE A HUMANISTIC ART. (Robert Redfield)

TOPICS (Number of Posts)

Abuse of Science (24) Adivasi (38) Africa (10) Alien Anthropology (80) America (56) Ancient Civilizations (112) Anthropology (161) Anunnaki (38) Archaeology (73) Atlantis (23) Awareness (73) Ayahuasca (13) Babylon System (29) Belief Systems (20) Biology (30) Black Magic (14) Brainwashing (16) Carlos Castaneda (8) Ceremonies (22) Consciousness (78) Conspiracies (70) Corporation (24) Cosmos (22) Cultural Anthropology (90) Docu Drama (10) Earthlings (42) Education (23) Entertainment Industry (17) Entheogenic Shamanism (39) Ethnographic Film (31) First Contact (10) Freedom to Fascism (37) Freemasonry (16) Global Conspiracy (37) Gods (17) Graham Hancock (7) Haimendorf (6) Hidden History (57) Hidden Universe (42) Homosapiens (38) Hopi Prophecy (12) Human Democracy (24) Human Rights (50) Human Sexes (9) Illuminati (10) India (16) Indigenous People (89) Intelligence (23) Love (17) Magic Mushrooms (6) Malinowski (6) Margaret Mead (7) Matrix of Power (85) Media Control (23) Mind Control (32) Mining (15) MK-Ultra (11) Mother of Mankind (8) Music Videos (10) Native American Prophecy (17) Native Americans (17) Nature (32) New World Order (18) Occultism (12) Origin of Life (11) Passages Of Life (7) Political Anthropology (25) Psychedelics (16) Psychology (38) Reptilian Agenda (50) Rights of Indigenous People (40) Sacrificial Cannibalism (7) Satanism (17) Secret Mysteries (63) Shaman Credo Mutwa (10) Shamanism (56) Sixth Sense (16) Social Evils (18) South America (15) Spiritual Archaeology (17) Subversion (45) The Elder Brothers' Warning (14) Tribal Films (22) Tribes Of India (21) Tribes of the Deccan (8) Visual Anthropology (137) Visual Anthropology Resources (13) Voodoo (8) We Are All One (50)

TRIBES OF INDIA (Video Playlist) ETHNOGRAPHIC FILMS BY SATHYA MOHAN

Showing posts with label Media Control. Show all posts
Showing posts with label Media Control. Show all posts

Tuesday, October 17, 2017

Watching Major Media Commit Suicide


Notes on the end of the news businessas we know it. It's personal.

This article goes to many places. I think you'll find a place that works for you.

I've been investigating and reporting on deep medical fraud for 29 years. I've been around the block a few hundred times. I've spoken with scientists who work for the government and universities, and the media operatives who support them. I know the game.

If Robert F. Kennedy Jr. is, indeed, given the green light by President Trump to investigate vaccine safety, he's going to need a truck and a chain and DOJ threats of prosecution to drag key CDC scientists into the light and elicit specific statements from them.

Even then, the odds are these scientists will keep repeating the party line:

-vaccines are overwhelmingly safe

-they have no connection to autism or other neurological damage

-the science is settled

Kennedy could run up against an organized wall of silence - scientists refusing to speak with him, on the basis that he isn't qualified to make judgments in their "field."

In that case, he will need subpoena power, for starters.

Many years ago, I interviewed Jim Warner, a White House policy analyst in the Reagan administration. He had been trying to obtain medical-research information from the federal National Institutes of Health.

He told me he was given the absolute cold shoulder:

"If ever I've been tempted to believe in socialism, science has disabused me of that. These guys [at NIH] assume that it's their show. They just assume it."

Arrogance par excellence. Scientists rebuff the White House with a yawn.

Fortunately, Kennedy is a relentless investigator. He understands how science is corrupted and paid for.

And the ace in the deck is this:

there is already enough evidence in the open record to refute the CDC's claim of vaccine safety.

Trump has blazed a trail of rejecting major media.

As a result of his merciless attacks, press outlets are going mad pushing numerous outlandish fake stories. They're ripe for further incursions on their territory.

In the past, this was the pattern:

-an outsider enters the scene and accuses the government of vast fraud

-media operators assemble their usual cast of sordid characters, who dismiss the charges

-everybody goes home and the story dies

But that's not working anymore. Media pomposity is exposed as fakery. Millions of people see through the ruse.

The media emperor is naked. He can prance around and around, but his fundamental nakedness keeps compounding the joke. Truth be told, as their financial positions sink into dire red ink, press operations are trapped.

Why...?

Because they are partners with the high-level criminals whose activities are the very stories the public wants to know about.

Reporting on these crimes in great depth, day after day, would resuscitate the newspapers and broadcast networks. But that will never happen.

For example, these crimes:

The Federal Reserve / a clandestine private corporation.



Trillions of dollars of missing US government money.

The power of the Trilateral Commission over US government policy.

The covert implementation of the United Nations agenda of destruction in US communities.

And a hundred more issues...

Expose these down to the core, and people would buy newspapers off the rack like they buy coffee and beer and video games and cell phones and gasoline and underwear and toilet paper and lipstick and fast food.

The Times would have to schedule extra press runs just to keep up with the demand. Its financial bottom line would soon look like Christmas.

You could talk to the publisher of the New York Times and present him with an ironclad plan for pulling his paper out of its deep financial hole, based on covering true stories like those above, and you would find no joy, because he would rather go down with the ship than go up against The Matrix.

The Times and other hoary media outlets live by the rule of limited hangout. In intelligence parlance, that means admitting a small piece of the truth in order to hide the rest.

"We'll show you a tree in the forest, but not the forest."

I know how it works, because as a reporter I've been there. I've approached editors of various media outlets with stories that crack the trance, and I've had those stories tossed back at me.

"We're just not interested," they say.

"This isn't our kind of piece."

Or: "Well, we already covered that."

But they didn't cover it...

They did a limited hangout on it. They ran a story that exposed one tiny corner of a whole bloody mess.

I say this - as simple fact - if any intelligent, aggressive, truly independent investigator were the managing editor of the New York Times, and if he were given free rein, he would have that paper back in the black in a year.

He would have it roaring on all cylinders. He would have people fighting each other in the streets to grab the last copy off the newsstand.

Journalism schools all over the country would close down in shame. Because he would be running stories that would crack the whole rotting edifice of cartel-control along many fronts, and he would be filling up a planned vacuum of truth with fire.

A decade ago, here is what a working reporter for a major paper told me:

"We know what stories we can't cover. Nobody needs to prep us. Our editors know, too. Otherwise, they'd never get to be editors."

A player in a non-profit group once told me I could have a job with a paper on the east coast.

In a roundabout way, he hinted at what they were looking for. In five minutes, I saw the handwriting on the wall. Essentially, the editor was searching for a reporter who would cover politics in Central America.

The stories would have to favor the repressive governments in power.

The basic cover was:

these leaders were fighting the good fight against Communism. The death squads they were sending out, in cooperation with the CIA, were freedom fighters.

And of course, any mention of cocaine trafficking as a means for obtaining weapons was off-limits.

None of this was spelled out. But the message was clear. They wanted a propaganda specialist. If I, as an up and coming reporter, decided to play ball, I could advance up the ladder.

Apparently, some travel was necessary. But I knew I could turn out reams of copy without ever leaving my apartment, because I grasped the fundamental angle I was supposed to pursue. Needless to say, I turned down the offer.

It was the first time I fully realized how easy the job of reporting could be. Assemble a list of reliable sources (who would support the mandatory point of view), walk right into a prepared group of corporate and think-tank allies, pull down copy from wire services, and re-write stories in a way that bolstered the idea that American Empire was really "spreading democracy" to the less fortunate.

A walk in the park...

Twenty years later, I saw the same overall pattern in hundreds of major-media stories - but the point of view and the mandate had changed. Now it was all about Globalism.

The covert op was the takedown of America, in order to squash the last vestige of political freedom and integrate the nation in "a new economic order."


However, over the mountains, a new dawn was rising: the Internet. Independent media outlets. The resistance.

It was immediately obvious that, unless someone could shut this new creature down, major media would have no way to challenge the invasion. Independent news sources would gradually wreck MSM financial bottom lines.

Fronting for Globalist princes, Big News would see their bias exposed time and time again. The blowback on them would be enormous.

Trapped and corned like rats, they would attack, but their efforts would only compound their problem.

Then a populist named Donald Trump strolled on to the scene. He knew major media were suffering great losses. He knew online media were in the ascendance.

He had people like Steve Bannon (Breitbart) who were bringing him up to speed. He saw how Matt Drudge was obliterating traditional news sources, even while (selectively) linking to them.

A revolution was in progress...

Trump had the right stuff for this situation, because he didn't care about offending people. He was mercurial, reckless; an opportunist. He could fly by the seat of his pants. He realized where and how, in America, the Globalists were causing great damage.

Trump accelerated the fall of major media from their thrones.

People around the world, untold millions, thought to themselves,

"Trump is finally giving major media what they deserve."

Giving the major media what they deserve is a force to be reckoned with, because there is no effective response to it. Nothing works.

Who can lead the fight to preserve mainstream news? Answer: mainstream news.

That isn't going to go anywhere, because more and more people are rejecting the mainstream wholesale.

Think of major media as a ship. In full view of the passengers, the captain has just steered it into a shore of high rocks. The craft is beginning to tilt, and it's taking on water.

As the passengers scramble to safety on the beach, the captain is yelling,

"Don't leave, come back, everything is all right, I didn't do anything wrong, it's your fault, you're too stupid to understand the correct principles of navigation!"

Translation:

"I'm committing suicide. Go down with me."

As a reporter starting out in the 1980s, one of my first glimpses of trouble involved a few of the papers I was writing for:

they were definitely on the political Left, but at the same time they were businesses. You only had to look at the ads choking the pages to see that.

They were capitalist enterprises. But they would never fully admit that. They were operating under a self-induced, self-serving delusion about fundamental economics.

Eventually, larger publishers bought them out, and a few of the old guard made significant dollars on the deals.

It was an old story about socialists getting rich.

This contradiction plagues every major media outlet today. They claim to serve the public interest, but they want to be rich. Their reporters want very nice salaries. And this is all in the service of Globalism, which aims to bankrupt economies and drive populations into the arms of technocrat planners of societies.

It doesn't add up. It doesn't work.

There is nothing wrong with wanting to be rich and working hard to achieve it. But claiming, at the same time, that you want the government to run the economy is a sick joke. A transparently sick joke, on the order of wealthy celebrities stumping for socialism, while they hire more armed security and dig bunkers on their walled properties.

Suppose you could approach a well-known and well-paid reporter for the New York Times.

And suppose you said this:

"For years, you've been writing about the less fortunate and giving back and more government support for the downtrodden and humanitarianism and so on...

So I want to know, would you be willing to donate two-thirds of your salary, for the sake of equality, to those who need the money? Would you be willing to sell your co-op and give the money to the poor and move into a small apartment?"

The duplicitous and slimy major media are obviously engaged in a long con.

They want their cake, they want to eat it, and they also want to appear as architects of "a more humane planet." They care about a more humane order in the same way an ant cares about space travel.

They care about serving their bosses, and those bosses have other bosses who are engineering a future of poverty for all, as a mechanism of control. That's who's paying reporters their salaries.

Do you know what a tired rich media liberal (fake socialist) looks like? Of course you do.

You can see one every night anchoring the national news. Over the years, I've spoken with a few of these types. In every case, I've gotten the impression they're sitting on a keg of dynamite. They know how precarious their position is. They're surprised they've lasted as long as they have. Their spouting of liberal homilies is transparent.

Where did they go wrong?

Answer: the first day they accepted their first job as a reporter. That's when they sold out. They knew it then, and under cheesy layers of vast pretensions, they still know it now. But they can't turn around. They've made a commitment.

They tell themselves:

"It's business. It's not personal. This is the business I'm in."

But of course, it is personal. Everything is personal. We're talking about lives and minds and souls.

That's what these reporters traded, in the perverse corner of the marketplace. They chose the rackets, the information mafia, the law of omerta, the dishonorable underground that lives in the highest penthouses.

Whatever gloss they lay on, the trap they're in stays in place. And now, they're sinking and sinking.

I could try to work up pity for them, buy why bother?

Damage is damage, and they've done a great deal of it. A full confession would make a start, but that's not going to happen.

They're in a race with themselves. How long can they keep erecting delusions about their work, vs. their growing realization about those delusions?

It's inescapably personal. It always was.

The night is falling on them, and the rain is coming down, too. Their mandate is to be on the Inside, but they're on the Outside now. They're the walking dead. They'll keep walking, but things will never be the same.

As a long addendum, here is a backgrounder, an article I wrote headlined, "Howard Beale, the last sane man on television":

The best film ever made about television's war on the population is Paddy Chayefsky's scorching masterpiece, Network (1976). Yet it stages only a few minutes of on-air television.

The rest of the film is dialogue and monologue about television. Thus you could say that, in this case, word defeats image.

Even when showing what happens on the TV screen, Network bursts forth with lines like these, from newsman Howard Beale, at the end of his rope, on-camera, speaking to his in-studio audience and millions of people in their homes:

"So, you listen to me. Listen to me! Television is not the truth. Television's a god-damned amusement park.

Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, jugglers, sideshow freaks, lion tamers, and football players.

We're in the boredom-killing business… We deal in illusions, man. None of it is true! But you people sit there day after day, night after night, all ages, colors, creeds. We're all you know.

You're beginning to believe the illusions we're spinning here. You're beginning to think that the tube is reality and that your own lives are unreal. You do whatever the tube tells you.

You dress like the tube, you eat like the tube, you raise your children like the tube. You even think like the tube. This is mass madness. You maniacs.

In God's name, you people are the real thing. We are the illusion."

Beale, coming apart at the seams, is a mad prophet.

And because he shines with brilliance and poetry, he can affect minds. Therefore, the television network can make use of him. It can turn him into a cartoon for the masses.

It is Beale's language and the passion with which he delivers it that constitutes his dangerous weapon. Therefore, the Network transforms him into a cheap religious figure, whose audience slathers him with absurd adoration.

Television's enemy is the word. Its currency is image.

Beale breaks through the image and defiles it. He cracks the egg. He stops the picture-flow. He brings back the sound and rhythm of spoken poetry. That is his true transgression against the medium that employs him.

The modern matrix has everything to do with how knowledge is acquired.

Television, in the main, does not attempt to impart knowledge. It strives to give the viewer the impression that he knows something. There is a difference.

Knowledge, once established, is external to, and independent of, the viewer. Whereas the impression of knowing is a feeling, a conviction, a belief the viewer holds, after he has watched moving images on a screen.

Images… plus, of course, in the case of the news, the narrative voice.

A basic premise of New Age thinking is:

"everything is (connected to) everything."

This fits quite well with the experience of watching film or video flow.

Example:

We see angry crowds on the street of a foreign city. Then young people on their cell phones sitting in an outdoor café.

Then the marble lobby of a government building where men in suits are walking, standing in groups talking to each other. Then at night, rockets exploding in the sky.

Then armored vehicles moving through a gate into the city. Then clouds of smoke on another street and people running, chased by police.

A flow of consecutive images...

The sequence, obviously, has been assembled by a news editor, but most of the viewing audience isn't aware of that. They're watching the "interconnected" images and listening to a news anchor tell a story that colors (infects) every image.

Viewers thus believe they know something. Television has imparted that sensation to them. That's what news is all about: delivering a sensation of knowing to the audience.

There is no convenient place where the ordinary viewing audience can stop the flow of images or the story being told. They are inside it. They don't have the leverage of a crystallized idea or the power of reasoning to get out.

They are inside the story. Knowledge thus becomes story.

The viewer is transfixed by the sensation that he is "inside" watching/experiencing story. This fixation produces a short circuit in his reasoning mind (if he has one). No time to stop, no time to think; just watch the flow.

When you take this pattern out to a whole society, you are talking about a dominant method through which "knowledge" is gained.

"Did you see that fantastic video about the Iraq War? It showed that Saddam actually had bioweapons."

"Really? How did they show that?"

"Well, I don't exactly remember. But watch it. You'll see."

And that's another feature of the modern acquisition of knowledge: amnesia about details.

The viewer can't recall key features of what he saw. Or if he can, he can't describe them, because he was in the flow. He was inside, busy building up his impression of knowing something.

Narrative-visual-television story strips out and discards conceptual references. And lines of reasoning? To the extent they exist, they're wrapped around and inside the image-flow and the narration.

Ideas aren't as interesting as images. That's the premise.

To grasp the diminishment of language, consider the current use of the word "text." Suddenly it's become a verb; it means a process of sending words. It also refers to paragraphs or pages of writing, as opposed to pictures.

"Text" makes "writing" seem like nothing more than one functional (and machine-like) method of delivering information.

And since bone-dry information (e.g., "genetic sequences") these days is practically considered a synonym for life, when a writer infuses his words with passion, they automatically become a "rant."

"Rant" was formerly applied to describe what a person did when he was totally unhinged to the point of making no coherent sense.

Image, not the word, is the now preferred means of acquiring what passes for knowledge.

Retired propaganda master, Ellis Medavoy (pseudonym), once told me in an interview:

"If you wanted to try a real revolution, you would produce thousands of videos consisting of written words on screens, with someone speaking those words.

You would try to reinstate language as a medium. Poetry, formal arguments and debates, great speeches, dramatic readings.

You would go up against image and try to relegate it to its proper place…"

In the American colonies of the 18th century, several hundred thousand copies of Tom Paine's pamphlet, Common Sense, were distributed among a total population of only 2.5 million people, and the earth shook.

When a technology (television) turns into a method of perception, reality is turned inside out. People watch TV through TV eyes.

Mind control is no longer something merely imposed from the outside. It is a matrix of a self-feeding, self-demanding loop. Willing devotees of the image want images, food stamps of the programmed society.

But now, something is happening. Something different.

It is to be fervently wished that the revolution against major media will also result in a revolution against knowledge as nothing more than image.

by Jon Rappoport
January 21, 2017
from JonRappoport Website

Friday, June 17, 2016

How the CIA Secretly Funded Abstract Expressionism During the Cold War


Considering the possibility of a truly proletarian art, the great English literary criticWilliam Empson once wrote, “the reason an English audience can enjoy Russian propagandist films is that the propaganda is too remote to be annoying.” Perhaps this is why American artists and bohemians have so often taken to the political iconography of far-flung regimes, in ways both romantic and ironic. One nation’s tedious socialist realism is another’s radical exotica.

But do U.S. cultural exports have the same effect? One need only look at the success of our most banal branding overseas to answer in the affirmative. Yet no one would think to add Abstract Expressionist painting to a list that includes fast food and Walt Disney products. Nevertheless, the work of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning wound up as part of a secret CIA program during the height of the Cold War, aimed at promoting American ideals abroad.


The artists themselves were completely unaware that their work was being used as propaganda. On what agents called a “long leash,” they participated in several exhibitions secretly organized by the CIA, such as “The New American Painting” (see catalog cover at top), which visited major European cities in 1958-59 and included such modern primitive works as surrealist William Baziotes’ 1947 Dwarf (below) and 1951’s Tournament by Adolph Gottlieb above.


Of course what seems most bizarre about this turn of events is that avant-garde art in America has 
never been much appreciated by the average citizen, to put it mildly. American Main Streets harbor undercurrents of distrust or outright hatred for out-there, art-world experimentation, a trend that filters upward and periodically erupts in controversies over Congressional funding for the arts. A 1995 Independentarticle on the CIA’s role in promoting Abstract Expressionism describes these attitudes during the Cold War period:

In the 1950s and 1960s… the great majority of Americans disliked or even despised modern art—President Truman summed up the popular view when he said: “If that’s art, then I’m a Hottentot.” As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why, then, did they receive such backing? One short answer:

This philistinism, combined with Joseph McCarthy’s hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy.

The one-way relationship between modernist painters and the CIA—only recently confirmed by former case officer Donald Jameson—supposedly enabled the agency to make the work of Soviet Socialist Realists appear, in Jameson’s words, “even more stylized and more rigid and confined than it was.” (See Evdokiya Usikova’s 1959 Lenin with Villagers below, for example). For a longer explanation, read the full article at The Independent. It’s the kind of story Don DeLillo would cook up.


William Empson goes on to say that “a Tory audience subjected to Tory propaganda of the same intensity” as Russian imports, “would be extremely bored.” If he is correct, it’s likely that the average true believer socialist in Europe was already bored silly by Soviet-approved art. What surprises in these revelations is that the avant-garde works that so radically altered the American art world and enraged the average congressman and taxpayer were co-opted and collected by suave U.S. intelligence officers like so many Shepard Fairey posters.

via Kottke

Related Content:





Josh Jones is a writer and musician based in Washington, DC. Follow him @jdmagness

Sunday, December 6, 2015

Media Terrorism: The ISIL Partnership

Winner of “Worst Staged Photo of 2015,” ISIS “first responder” aiding victims of purported Damascus terror attack

Big money in beheadings

When you see a video of an ISIS beheading or perhaps a “barrel bombed” Syrian school, you are seeing the results of the media partnership, a multi-million dollar one, between ISIS and her sister terror groups and media organizations like Reuters and AP. Working closely with “sockpuppet” rights groups and NGO’s who have long been a front for that other partnership between ISIS and Turkish/Saudi intelligence services and rogue CIA factions, “stringers” by the dozen serve alongside ISIS terrorists.

It isn’t just ISIS media groups, like the one Russia destroyed yesterday after receiving coordinates from Anonymous through media personality Jeff Rense, it is the major media as well. The money flows in from stories and photos, from beheading videos whose rights are vigorously defended though the funding flows directly into the coffers of the terror groups whose barbarous acts are being depicted.

Worse still are the hoaxes and planted or “seeded” false stories through AP and Reuters, picked up by media like the Washington Post, CNN and the Guardian, staged photos and false stories of gas attacks and “barrel bombings,” always of schools, hospitals, mosques, kindergartens and senior citizens homes.

The stories that come from this partnership, ISIS and the western media, are parroted by President Obama, Britain’s Cameron and others as “gospel.”

When tracing the background of those involved, the western media that live so comfortably among the ISIS “beheaders” with no fear whatsoever, we find a common history. Most are from Radio Liberty or Radio Free Europe, CIA fronts with many others having worked in the Israeli media, particularly the Jerusalem Times.

The other partnership that adds feigned legitimacy to the stories is the channel they are distributed through. ISIS sends all propaganda to the press through the Syrian Human Rights Observatory, a UK based “group” of one person with no background or qualifications but who is able to place stories on the front pages of dozens of major newspapers, stories which are universally unsourced, unconfirmed and almost invariably, only days later, proven to be utterly false.

It has long been a goal of “black propaganda” operations to be self funding. ISIS makes millions in partnership with the Erdogan family selling oil, not just in Turkey, but around the world, as Russian has proven.

What isn’t being noted is the funding for propaganda photos like the one featured above maintain a veritable army of disinformation specialists who exist alongside the most dangerous criminal elements perhaps in world history, living among them with impunity, selling their stories and helping fund their bestiality.

Where innocent aid workers are beheaded, seemingly for amusement, where mass graves of women and children are discovered weekly, “certain members of the press” move without fear at all. No one asks why. It is time that Reuters and their associates are brought before an international tribunal just as Julius Streicher was for publishing Der Sturmer in Nazi Germany.

Streicher was hanged on October 19, 1946.

Related Posts:






Thursday, October 6, 2011

Orwell Rolls in his Grave

by WarCrime911

from YouTube Website

Director Robert Kane Pappas’ ORWELL ROLLS OVER IN HIS GRAVE is the consummate critical examination of the Fourth Estate, once the bastion of American democracy.

Asking whether America has entered an Orwellian world of doublespeak where outright lies can pass for the truth, Pappas explores what the media doesn’t like to talk about: itself.

Meticulously tracing the process by which media has distorted and often dismissed actual news events, Pappas presents a riveting and eloquent mix of media professionals and leading intellectual voices on the media.

Among the cast of characters in ORWELL ROLLS OVER IN HIS GRAVE are:

Charles Lewis, director of the Center for Public Integrity


Vincent Bugliosi, former L.A. prosecutor and legal scholar


film director and author Michael Moore


Rep. Bernie Sanders


Danny Schecter, author and former producer for ABC and CNN


Tony Benn, former member of the British Parliament


ORWELL ROLLS OVER IN HIS GRAVE provides a vital forum for ideas that will never be heard in mainstream media.

From Globalvision’s Danny Schecter:

“We falsely think of our country as a democracy when it has evolved into a mediacracy - where a media that is supposed to check political abuse is part of the political abuse.”


New York University media professor Mark Crispin Miller says,

“These commercial entities now vie with the government for control over our lives. They are not a healthy counterweight to government. Goebbels said that what you want in a media system - he meant the Nazi media system - is to present the ostensible diversity that conceals an actual uniformity.”


From the very size of the media monopolies and how they got that way to who decides what gets on the air and what doesn’t, ORWELL ROLLS OVER IN HIS GRAVE moves through a troubling list of questions and news stories that go unanswered and unreported in the mainstream media.

Are Americans being given the information a democracy needs to survive or have they been electronically lobotomized?


Has the frenzy for media consolidation led to a dangerous irony where in an era of more news sources the majority of the population has actually become less informed?


ORWELL ROLLS OVER IN HIS GRAVE reminds us that 1984 is no longer a date in the future

COMMENTS

The book "1984," written in 1949 by English writer George Orwell, was a book of a future in which the future was run by a dictatorship which successfully controlled the minds of its population.

This must see film explains the umbrella of all problems in the United States; the self-censorship of media.

It also explains why there is a need for websites like ours.

Sunday, July 31, 2011

Sunday, August 15, 2010

TV is a Psycho-Social Weapon

'I think most right thinking people are agreed that physical effects aside, the content of the majority of TV programming today (I emphasise the word programming, a process that involves a passive receptor of information) is designed to instil a social worldview and value system that is self-centric and is in fact the opposite of what a healthy and enduring society requires.  Individualism at any cost rules the day and it is more and more evident that empathy for one’s fellow citizen and a sense of personal responsibility are rapidly vanishing along with the morality that all healthy civilisations have known to be necessary for survival.'

Monday, July 12, 2010

Network News: Seeing Through Illuminati Eyes

'After WWII, with the emergence of three rival television networks, each with their own news departments, most Americans would have argued that the new age of television would grant them a multiplicity of sources and viewpoints.

Yet from their very inception, all three TV networks have been guided by men who were a product of and beholden to  America's intelligence agencies.   From the beginning, the men who ran ABC, CBS and NBC as well as those sitting on their boards of directors,  had the deepest ties to the CIA, the Council on Foreign Relations, the Rothschild Banks and the Rockefeller Foundation.  From the very beginning, the US news media has been designed to promote the New World Order, guided by the "light" of the Illuminati. This is why network newscasts are virtually identical.'

Tuesday, June 29, 2010

Lady Gaga’s 'Alejandro': The Occult Meaning

'Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.'

Friday, February 12, 2010

Why the Oscars are a Con

'Why are so many films so bad? This year’s Oscar nominations are a parade of propaganda, stereotypes and downright dishonesty. The dominant theme is as old as Hollywood: America’s divine right to invade other societies, steal their history and occupy our memory. When will directors and writers behave like artists and not pimps for a world view devoted to control and destruction?
I grew up on the movie myth of the Wild West, which was harmless enough unless you happened to be a native American. The formula is unchanged. Self-regarding distortions present the nobility of the American colonial aggressor as a cover for massacre, from the Philippines to Iraq. I only fully understood the power of the con when I was sent to Vietnam as a war reporter. The Vietnamese were “gooks” and “Indians” whose industrial murder was preordained in John Wayne movies and sent back to Hollywood to glamourise or redeem.
I use the word murder advisedly, because what Hollywood does brilliantly is suppress the truth about America’s assaults. These are not wars, but the export of a gun-addicted, homicidal “culture”. And when the notion of psychopaths as heroes wears thin, the bloodbath becomes an “American tragedy” with a soundtrack of pure angst.'

Wednesday, January 13, 2010

Orwell Rolls In His Grave


"Could a media system, controlled by a few global corporations with the ability to overwhelm all competing voices, be able to turn lies into truth?..." This chilling documentary film examines the relationship between the media, corporate America, and government. In a country where the "top 1% control 90% of the wealth", the film argues that the media system is nothing but a "subsidiary of corporate America."
Director: Robert Kane Pappas - Run Time 1 Hour 46 Minutes.

Sunday, January 3, 2010

Sherlock Holmes: The Movie and Our Illuminati 'New Age Religion'


'I went and saw "Sherlock Holmes", Hollywood's latest New Age Propaganda. I have been a fan of Sir Arthur Conan Doyle since childhood (the author of the original series), and I doubt he would even recognize the movie or its hero. Yes, I will admit I enjoyed the movie. It was full of twists and blind alleys. The ending was also unpredictable for most. Yet, as usual, Hollywood is not interested in just entertaining. They want to Propagandize us into accepting the values and philosophy of their coming "New-Age Religion".'

Read more...

Tuesday, November 17, 2009

Lady Gaga’s Bad Romance – The Occult Meaning


'Lady Gaga’s videos and performance are extremely symbolic and filled with hidden messages. Her latest video, named “Bad Romance”, describes the dark and ritualistic inner-workings of the entertainment industry, by symbolically depicting Gaga as a sex slave. This article examines the occult symbols present in the video and its hidden meaning.'

Read more...

Sunday, November 1, 2009

Mass Mind Control


by Alex Ansary
December 29, 2005

from OutsideTheBox Website

  • Why do countless American people go along with the War on Iraq?

  • Why do so many people call for a police state control grid?

A major component to a full understanding of why this kind of governmental and corporate corruption is to discover the modern science of mind control and social engineering. It's baffling to merely glance at the stacks of documentation that this world government isn't being constructed for the greater good of humanity.

Although there are a growing number of people waking up the reality of our growing transparent soft cage, there seems to be just enough citizens who are choosing to remain asleep. Worse yet, there are even those who were at least partially awake at one time but found it necessary to return to the slumber of dreamland.

This is no accident; this is a carefully crafted design. The drive to dumb down the populations of planet earth is a classic art that existed before the United States did. One component to understanding and deciphering the systems of control is to become a student of the magicians of influence and propaganda. In order to defeat our enemies (or dictators), its imperative that we understand how they think and what they believe in.

When people think about mind control, they usually think in terms of the classic "conspiracy theory" that refers to Project MkUltra. This program is a proven example of 'overt mind control.'

The project had grown out of an earlier secret program, known as Bluebird that was officially formed to counter Soviet advances in brainwashing. In reality the CIA had other objectives. An earlier aim was to study methods 'through which control of an individual may be attained'. The emphasis of experimentation was 'narco-hypnosis', the blending of mind altering drugs with carefully hypnotic programming.

A crack CIA team was formed that could travel, at a moments notice, to anywhere in the world. Their task was to test the new interrogation techniques, and ensure that victims would not remember being interrogated and programmed. All manner of narcotics, from marijuana to LSD, heroin and sodium pentathol (the so called 'truth drug') were regularly used.

Despite poor initial results, CIA-sponsored mind control program flourished. On 13 April 1953, the super-secret Project MK-ULTRA was born. Its scope was broader than ever before, and only those in the top echelon of the CIA were privy to it.

Official CIA documents describe MK-ULTRA as an 'umbrella project' with 149 'sub-projects'. Many of these sub-projects dealt with testing illegal drugs for potential field use. Others dealt with electronics. One explored the possibility of activating 'the human organism by remote control'. Throughout, it remained a major goal to brainwash individuals to become couriers and spies without their knowledge.

When it was formed in 1947, the CIA was forbidden to have any domestic police or internal security powers. In short, it was authorized only to operate 'overseas'. From the very start MK-ULTRA staff broke this Congressional stipulation and began testing on unwitting American citizens.

Precisely how extensive illegal testing became will never be known.


READ MORE...